Samuel Beckett
Digital Manuscript Project
Krapp's Last Tape / La Dernière Bande
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Synoptic Sentence View: sentence 17

Versions

Krapp's Last Tape Segment 17, version 1 (MS-UoR-1227-7-7-1, p. 10v)

with some characteristic accent []

Krapp's Last Tape Segment 17, version 2 (MS-UoR-1227-7-7-1, p. 10v)

characterist characteristic accent.

Krapp's Last Tape Segment 17, version 3 (MS-HRC-SB-4-2-2, p. 1r)

characteristic peculiar accent.

Krapp's Last Tape Segment 17, version 4 (MS-HRC-SB-4-2-3, p. 1r)

peculiar accent.

Krapp's Last Tape Segment 17, version 5 (MS-HRC-SB-4-2-4, p. 1r)

Peculiar accent or intonantion . Unmistakable intonation Distinctive intonation.

Krapp's Last Tape Segment 17, version 6 (MS-UoR-1659, p. 1r)

Distinctive intonation.

Krapp's Last Tape Segment 17, version 7 (MS-HRC-SB-4-2-5, p. 1r)

Distinctive intonation.

Krapp's Last Tape Segment 17, version 8 (MS-HRC-SB-4-2-7, p. 4r)

Distinctive intonation.

Krapp's Last Tape Segment 17, version 9 (Faber and Faber 1959, p. 9)

Distinctive intonation.

Krapp's Last Tape Segment 17, version 10 (MS-SYR-GP-95, p. 10r)

Distinctive intonation.

La Dernière Bande Segment 17, version 11 (MS-HRC-SB-4-2-6, p. 1r)

très particulière.

La Dernière Bande Segment 17, version 12 (Les Lettres Nouvelles, p. 5)

très particulière.

La Dernière Bande Segment 17, version 13 (Minuit 1959, p. 8)

très particulière.

Krapp's Last Tape Segment 17, version 14 (MS-HRC-SB-5-4, p. 12r)

Distinctive intonation.