Samuel Beckett
Digital Manuscript Project
Krapp's Last Tape / La Dernière Bande
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Synoptic Sentence View: sentence 27

Versions

Krapp's Last Tape Segment 27, version 1 (MS-HRC-SB-4-2-2, p. 1v)

resumes his pacing, finishes banana, retu returns to table, opens wrong takes keys from his pocket, raises them to his eyes, chooses key, un unlocks and opens wrong drawer, peers and feels inside, locks it, unlocks and opens other drawer, takes out a second banana, locks drawer, x puts keys back in his pocket, turns, advances to x edge of stage, peels banana, puts skin in his pocket, puts the end of banana in his mouth, staring vacuously before him.

Krapp's Last Tape Segment 27, version 2 (MS-HRC-SB-4-2-3, p. 1r)

He resumes his pacing, finishes the banana, returns to table, sits down, remains a moment motionless, takes keys from his pocket, raises them to his eyes, choses key, unlocks wr gets up, moves to front of table, as before with both drawers, takes out a second banana, holds it up high between finger and thumb closes and locks drawers, puts keys back in his pocket, turns and advances to edge of stage, halts, caresses banana peels it, banana, puts skin in his pocket, puts end of banana in his mouth and remains motionless, staring vacuously before him,.

Krapp's Last Tape Segment 27, version 3 (MS-HRC-SB-4-2-4, p. 1r)

He resumes his pacing, finishes banana, returns to table, sits down, remains a moment motionless, [] heaves a great sigh, [] takes keys from his pocket, raises them to his eyes, chooses a key, gets up and moves to front of table, opens banana second drawer, takes out a second large banana, holds it up between peers at it, finger and thumnb, locks drawer, puts keys back in his pocket, turns and advances to edge of srtage, halts, caresses strokes banana, peels it, puts tosses skin in his pocket into pit, puts end of banana in his mouth and remains motionless, staring vacuously before him.

Krapp's Last Tape Segment 27, version 4 (MS-UoR-1659, p. 1r)

He resumes his pacing, finishes banana, returns to table, sits down, remains a moment motioneless, heaves a great sigh, takes keys from his pocket, raises them to his eyes, chooses a key, gets up and moves to front of table, opens unlocks second drawer, takes out a second large banana, peers at it, locks drawer, puts back keys in his pocket, turns and advances to edge of stage, halts, strokes, banana, peels it, tosses skin into pit, puts end of banana in his mouth and remains motionless, staring vacuously before him.

Krapp's Last Tape Segment 27, version 5 (MS-HRC-SB-4-2-5, p. 1r)

He resumes his pacing, finishes banana, returns to table, sits down, remains a moment motionless, heaves a great sigh, takes keys from his pocket, raises them to his eyes, chooses key, gets up and moves to front of table, unlocks second drawer, takes out a second large banana, peers at it, locks drawer, puts back keys in his pocket, turns, advances to edge of stage, halts, strokes banana, peels it, tosses skin into pit, puts end of banana in his mouth and remains motionless, staring vacuously before him.

Krapp's Last Tape Segment 27, version 6 (MS-HRC-SB-4-2-7, p. 4v)

He resumes his pacing, finishes banana, returns to table, sits down, remains a moment motionless, heaves a great sigh, takes keys from his pockets, raises them to his eyes, chooses key, gets up and moves to front of table, unlocks second drawer, takes out a second large banana, peers at it, locks drawer, puts back keys in his pocket, turns, advances to edge of stage, halts, strokes banana, peels it, tosses skin into pit, puts end of banana in his mouth and remains motionless, staring vacuously before him.

Krapp's Last Tape Segment 27, version 7 (Faber and Faber 1959, p. 10)

He resumes his pacing, finishes banana, returns to table, sits down, remains a moment motionless, heaves a great sigh, takes keys from his pockets, raises them to his eyes, chooses key, gets up and moves to front of table, unlocks second drawer, takes out a second large banana, peers at it, locks drawer, puts back keys in his pocket, turns, advances to edge of stage, halts, strokes banana, peels it, tosses skin into pit, puts end of banana in his mouth and remains motionless, staring vacuously before him.

Krapp's Last Tape Segment 27, version 8 (MS-SYR-GP-95, p. 11r)

He resumes his pacing, finishes banana, returns to table, sits down, remains a moment motionless, heaves a great sigh, takes keys from his pockets, raises them to his eyes, chooses key, gets up and moves to front of table, unlocks second drawer, takes out a second large banana, peers at it, locks drawer, puts back keys in his pocket, turns, advances to edge of stage, halts, strokes banana, peels it, tosses skin into pit, puts end of banana in his mouth and remains motionless, staring vacuously before him.

La Dernière Bande Segment 27, version 9 (MS-HRC-SB-4-2-6, p. 1r)

Il reprend son va-et-vient, finit de manger la banane, retourne à la table, s'asseoit, demeure un moment immobile, pousse un grand soupir, sort les clefs de sa poche, les èélève à hauteur des yeux, choisit une clef, se lève et va vers les le devant de la table, fait jouer la serrure du second tiroir, en sort une seconde grosse banane, l'examine de tout près, referme le tiroir à clef, lremet les clefs dans sa poche, se retourne, s'avance jusqu'au bord de la scène, s'arrête, caresse la banane, l'épluche, flanque la peau dans la fosse, met le bout de la banane dans sa bouche et demeure immobile, regardant dans le vide devant lui.

La Dernière Bande Segment 27, version 10 (Les Lettres Nouvelles, p. 6)

Il reprend son va-et-vient, finit de manger la banane, retourne à la table s'asseoit, demeure un moment immobile, pousse un grand soupir, sort les clefs de sa poche, les élève à hauteur des yeux, choisit une clef, se lève et va vers le devant de la table, fait jouer la serrure du second tiroir, en sort une seconde grosse banane, l'examine de tout près, referme le tiroir à clef, remet les clefs dans sa poche, se retourne, s'avance jusqu'au bord de la scène, s'arrête, caresse la banane, l'épluche, flanque la peau dans la fosse, met le bout de la banane dans sa bouche et demeure immobile, regardant dans le vide devant lui.

La Dernière Bande Segment 27, version 11 (Minuit 1959, p. 10)

Il reprend son va-et-vient, finit de manger la banane, retourne à la table s'asseoit, demeure un moment immobile, pousse un grand soupir, sort les clefs de sa poche, les élève à hauteur des yeux, choisit une clef, se lève et va vers le devant de la table, fait jouer la serrure du second tiroir, en sort une seconde grosse banane, l'examine de tout près, referme le tiroir à clef, remet les clefs dans sa poche, se retourne, s'avance jusqu'au bord de la scène, s'arrête, caresse la banane, l'épluche, flanque la peau dans la fosse, met le bout de la banane dans sa bouche et demeure immobile, regardant dans le vide devant lui.

Krapp's Last Tape Segment 27, version 12 (MS-HRC-SB-5-4, p. 12r)

He resumes his pacing, finishes banana, broods, returns to drawer, takes out second banana, advances to edge of stage, halts, strokes banana, peels it, tosses skin backstage audience right (gag), puts end of banana in his mouth and remains motionless, staring vacuously before him.